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February 12, 2012

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Brooks Institute of Photography

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One of the greatest assets a film student can have during his or her education is a mentor—--someone who can guide him or her through the challenging process of moviemaking, using years of experience in the field as an invaluable resource. Most students would be lucky to find just one such person; but at the Brooks Institute of Photography, members of the school’s film program are blessed with dozens.

For the last four years, the Santa Barbara-based Institute has been the recipient of Kodak’s 35mm Project, a grant that enables students to produce a 35mm short film project in collaboration with a 150-person crew and more than 30 local vendors. Students who attend the Brooks Institute, which offers both bachelor and master degrees in film and video production, participate in the 35mm Project by enrolling in a corresponding class, then apply for specific production jobs on the film.

In order to augment Kodak’s program, Emmy Award-winner Tracy Trotter and his wife Judy, who serve as faculty sponsors on the project, used their connections in the film industry to bring together an impressive collection of mentors. Hailing from a variety of fields and organizations, from the Directors Guild of America to Clairmont Camera, these experts assist the students over the course of the project by providing input and support at each stage of the moviemaking process. Judy Trotter notes that the benefits of the mentoring aspect of the project go both ways: “We as teachers and mentors share our 30-plus years of on-set experience with the Brooks students and in turn they share their joy for the filmmaking project.”

Find your mentor at www.brooks.edu.

--Jennifer Straus

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Comment by Bill on 3/15/07 at 1:12 pm

Speaking of mentoring and DGA. The Brooks Institute of Photography is a great school, located in beautiful Santa Barbara. Over the course of the last two years, I was in search of a film school that was very affordable for me which includes incredible mentorship. I have worked on many independent films with actual pay after one month of training from a film school, Cinema Arts Tech. In addition, they are very affordable and they have instructors from the DGA that have a plethora of experience who have worked with industry professionals. Thanks to Cinema Arts Tech, I am working on my 5th indie film and from there have networked with many people on set. Besides classroom instruction, one of their programs feature on-the-job training where you will have a mentor put you on an actual movie set and coach you until you reach a professional level. One of the most important aspects about this school is they see the students as their most valuable assets.
Many, many Script supervisors trained by their instructor are working at this time. 
Greg just finished a three day commercial and recently worked on location with the last week of his production in Tennessee, starring Willie Nelson.  Kathy just started on a feature film, Kari starts a TV series on location overseas, also today.  Kathy earned
over $2,500.00 a week within thirty days of her training about a year and a half ago and she
hasn’t stopped working since.  She has many feature films and commercials on her resume
already.  Not bad for just starting out.

Dennis just finished a film at Lake Castaic and is scheduled to do one in Florida.  Afterwards
he’s signed on to do script supervising on a film in the Congo and in Nigeria.  Both Sarah and
Simone have been working on two different feature films in Missouri and Sarah’s film was sixty
miles from her parents’ home in that state.

Guy earned the monies he paid for tuition within thirties days of training.  On his third picture
he was hired at $250 per day and in the first week the company raised him to $300 per day! 
Many dozens of the grads have had similar voluntary pay raises by the production
companies.  That is impressive because production companies are not noted for their
generosity.
-----

Comment by josh on 10/24/07 at 5:39 pm

the school is located in Ventura, CA not Santa Barbara

Comment by Jen kibby on 4/05/08 at 1:56 pm

One of the greatest assets for a film student is an imagination, not a menotor

Comment by Vittore on 8/25/08 at 10:19 am

I think the same philosophy applies to most fields :-)

Comment by History Of Chess on 1/01/09 at 8:40 am

Ever since I held the cam in my hands i was crazy about photography. Though currently i am an IT professional but i am crazy about this still art. My age is 39, am i be able to join the institue ?

Comment by Joanna Lewis on 4/28/09 at 4:01 pm

I want to get back into photography so bad.  I’ve just taken out
camera insurance for a lot of my equipment and I’m looking to enrol at a school as soon as possible.  I wish we had schools this good in the part of England I’m from.

Comment by Santa Barbara Wedding Photographer on 8/06/09 at 3:00 am

Brooks is an incredible school and truly helped me achieve my dreams and get to where I am today!

Comment by Vadim Uvazhny on 8/24/09 at 12:51 pm

The best school for an artist is imagination and desire. And only then — good mentor.

Comment by photography tripods on 10/13/09 at 11:56 am

I would love to go to a photography school but it’s just too expensive for me. Do the Brooks Institute of Photography offer scholarship?

Comment by Zack McFarland on 2/10/10 at 12:35 am

I agree that imagination, desire, and dedication is what’s needed by a photographer to succeed. A mentor can help guide the student but not force him/her to be molded into the mentor’s copy.

Comment by Ryan on 2/08/11 at 9:06 am

I’m currently researching photography schools throughout the country. Brooks Institute of Photography really catches my eye because of its history and nature of the program. I do know of two people who have gone here and they said that it doesn’t get much better. Well, so far Brooks is in my top 3 as I narrow them down.

Comment by GulfPearls on 11/11/11 at 12:41 am

thank you a lots

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