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Adventures in Self-Releasing: More Successful Self-Releasing in 8 Steps
We're in a slightly quieter period now with The Last Lullaby. Figured I’d switch formats again for this week’s entry as I look back and examine some of the decisions I’ve made. I will soon be starting my next movie and, as with anything, I do hope I’ve learned from some of my mistakes.
Q: Is there an ideal week to open an independent movie?
August 28th, 2009 | Category: Adventures in Self-Releasing | By Jeffrey Goodman
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' . $phpAds_raw['html'] . ''; } ?>Cinema Law: Protection for Behind the Scenes Footage
Q: About 20 years ago, a U.S. film production had done a location shoot in Japan, and I was one of the local hired crew. Since my position allowed me to shoot photographs on set, I also videotaped the production as well—creating sort of "behind the scenes" videos. The video was never intended for commercial use, just for recording daily activities instead of writing journals on paper. U.S. crew (including producers) knew and acknowledged that I was videotaping.
August 25th, 2009 | Category: Cinema Law | By Patricia Millett
Adventures in Self-Releasing: Three Things Left
Took a week off from the blog. Just needed to catch my breath for a second. People ask me all the time when I'll be ready to move on to my next project. As with everything in this process, it's probably different for each person. For me, I still have three areas I want to pursue and follow through until the end:
August 21st, 2009 | Category: Adventures in Self-Releasing | By Jeffrey Goodman
Cinema Law: Who Owns the Footage I Shot?
Q: I have an issue with a large client that has never asked me to sign any agreement or contract. A little while back, they asked me for a year’s worth of B roll footage I shot for them. I eventually gave it to the client because I thought it was covered under the “work for hire” doctrine. Now I don’t think that is true. Can I deny them if they request footage in the future?
August 19th, 2009 | Category: Cinema Law | By Randy Whatoff
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' . $phpAds_raw['html'] . ''; } ?>Cinema Law: What's the Deal With YouTube?
Q: I am producing an independent documentary and would like to include a video that was submitted on YouTube. The video is of a preacher/pastor who looks like he is sitting on the steps of his house or the church, and preaching a sermon to the camera to post on YouTube so "everyone can see his face." Is it okay to include this video?
August 11th, 2009 | Category: Cinema Law | By Amber Holley
Adventures in Self-Releasing: Indiewood By the Numbers
I’ve been obsessed with the Box Office Chart that appears on indieWIRE every Tuesday for a while now. So I thought I’d go through the top 15 American narrative movies on this week’s list and see what we can learn from the numbers. Something can be learned from every single movie on the list, but since The Last Lullaby is an American narrative, I thought I would make that my focus:
August 7th, 2009 | Category: Adventures in Self-Releasing | By Jeffrey Goodman
Cinema Law: Not Receiving a Credit or Pay?
Q: I was wondering if you could give me advice. I recently completely a VFX job for a movie that has since been released. The people behind the production told me that they were giving me a credit for my VFX work. I've checked on IMDb and they did not give me the credit. I have all the files and I did not sign a release for my work! They did not pay me well, saying that the credit was more valuable then the money. Now, I have no money and no credit! What I should do? I would like to sue because I worked hard on this project—15-hour days to finish the job for $400 a week—and believe I’m entitled to the compensation promised.
August 4th, 2009 | Category: Cinema Law | By Jennifer McGrath
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