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May 21, 2012

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John Stockwell’s Golden Rules

Director John Stockwell (l) filming <I>Dark Tide</I> with stars Halle Berry and Olivier Martinez.

Actor-turned-director John Stockwell (Crazy/Beautiful, Blue Crush, Into the Blue), whose most recent film as a director, Dark Tide, comes out on DVD and Blu-ray today, shares his Golden Rules for directing. (No comments yet)


Revisiting Stony Island

Andrew (r) and Richie Davis filming <i>Stony Island</i> (1978)

Director Andrew Davis recalls the making of his 1978 R&B drama Stony Island, out for the first time on DVD April 24th

The development of Stony Island began long before there was a script, from spending time with and shooting images of my brother Richie and his friends. I had been doing this for over a year when I met Tamar Hoffs, who had a brother with a similar story to mine. They were both musicians, white kids who loved the blues, Muddy Waters and all the great artists from South Side. I shared my research and images with Tammy, and we began working together on a screenplay. We called it Stony Island, after an area of Chicago that was a vortex of black/white South Side culture and had real significance to both of us. (No comments yet)


25 Film Festivals Worth the Entry Fee: 2012

Movies are a serious business, but the folks at the Central Florida Film Festival aren't afraid to have some fun.

Making the decision to screen at a festival is easy. But which fests are truly worth a withdrawal from your hard-earned Entry Fee Bank Account? Here's our 2012 list of 25 festivals worth the entry fee.
(No comments yet)


Sol Negrin, Candid Cameraman

Sol Negrin shows students in his Intermediate Cinematography course at Five Towns College the ropes. Photo by Terence Krey.

Noted cinematographer goes from the set to the classroom at Five Towns College

Einstein once said that, “It is the supreme art of the teacher to awaken joy in creative expression and knowledge.” But when it comes to teaching the art of moviemaking—particularly cinematography—that task might be easier said than done, as reading textbooks and analyzing films cannot truly prepare a student for the realities of a film set. Veteran cinematographer Sol Negrin, ASC, now a professor at New York's Five Towns College, understands the challenges of bringing cinematography from the set to the classroom. Not one to hoard his knowledge, Negrin shares his tricks for the best ways to teach—and learn—cinematography. (No comments yet)


Think Like a Man Bests The Hunger Games

<I>Think Like a Man</i>

Sayonara, The Hunger Games! After a month of ruling the roost, new release Think Like a Man grabbed the box office behemoth's number one spot, earning $33 million over the weekend to The Hunger Games' $14.5 million. Fellow new release The Lucky One also bested The Hunger Games, grabbing the number two spot with its $22.8 million weekend haul. Chimpanzee, the final new wide release, earned $10.2 million, enough to land it at number four, while last week's runner-up The Three Stooges fell three spots to number five. (No comments yet)


Enjoying Chicken with Plums

Star-crossed lovers Irâne (Golshifteh Farahani) and Nasser-Ali (Mathieu Amalric). Photo by ©Patricia Khan, courtesy of Sony Pictures Classics. <br />

Co-directors of the Oscar-nominated Persepolis, Marjane Satrapi and Vincent Paronnaud have tackled another one of graphic novelist Satrapi's works for their second collaboration, the dreamy, fairy tale-esque Chicken with Plums, which debuted at the Venice Film Festival last year and is having its U.S. premiere at the Tribeca Film Festival. In advance of the film's first Tribeca screening this Sunday, the duo took the time to chat with MovieMaker about their second collaboration and the source of their visual inspiration for this truly stunning film. (No comments yet)


Weathering the First Winter

(l-r) Paul Manza (Paul) and Benjamin Dickinson (Thomas) in <I>First Winter</i>. Photo by Adam Newport-Berra.

In Benjamin Dickinson's feature directorial debut First Winter, a group of Brooklyn hipsters at a yoga retreat in upstate New York are forced to learn survival skills the hard way after an immense blackout hits, stranding them a drafty farmhouse with dwindling supplies and miles separating them from any passable roads—or, indeed, the rest of humanity. With their stock of food shrinking and temperatures dropping, buried tensions come to the fore, straining the friends' ability to work together even though—in a world with no electricity, no way to communicate with the outside world and virtually no chance of making it back to the city alive–all they really have is each other. (1 comment)


Meet the Rat King

Petri Kotwica

Petri Kotwica's gaming-themed thriller brings a modern edge to noirish suspense

To get a sense of Finnish director Petri Kotwica's Rat King, try imagining a standard thriller. Then infuse it with a heavy dose of Hitchcockian suspense, add a dash of high school drama and flavor the whole thing with a cyberpunk aesthetic. In advance of the film's international debut at this month's Tribeca Film Festival, Kotwica shared with MM his inspiration, influences and favorite silver screen villains. (No comments yet)


Inside Inside Hana’s Suitcase

<i>Inside Hana's Suitcase</i> director Larry Weinstein. Photo by Robyn McCallum.

One of the great horrors of human history, the Holocaust is the title of millions of interlocking stories that span tragedy to comedy, despair to hope. The delivery of a battered suitcase from the Auschwitz Museum to director Fumiko Ishioka of Tokyo's Holocaust Education Resource Center marked the beginning of one of those stories. Ishioka, along with a group of young Japanese students, made it her mission to unearth the fate of the little girl whose name was painted across the suitcase front: Hana Brady. Ishioka's search for Hana's identity, and the story she discovered, is the subject of Larry Weinstein's documentary Inside Hana's Suitcase, opening in New York tomorrow, April 18th. (No comments yet)


Ian Fitzgibbon Tackles the Death of a Superhero

Ian Fitzgibbon

In Irish director Ian Fitzgibbon's Death of a Superhero, teenager Donald's creativity, active imagination and innate talent combine to make him a highly talented comic book artist. His future would be bright were it not for one thing: Donald, 15, is dying of leukemia. With a cast that includes Thomas Brodie-Sangster as Donald, a non-mocap Andy Serkis as his unconventional psychologist and Michael McElhatton and Sharon Horganas his struggling-to-cope parents, Fitzgibbon has managed to direct a film about a teen with cancer that manages to be inspiring but not melodramatic, sad and poignant but not unrelentingly grim.

With his film coming out on VOD tomorrow courtesy of Tribeca Films, Fitzgibbon took the time to chat with MovieMaker about what initially drew him to the script and how he crafted his own approach to the material. (No comments yet)


Once More For The Hunger Games

The Hunger Games fought its way to the top yet again, becoming the first film since Avatar to claim the number one spot four weekends in a row. While the box office juggernaut's weekend gross of $21 million marks a 35% drop from last weekend, it still handily outpaced new releases The Three Stooges and The Cabin in the Woods, which earned $17.1 million and $14.8 million and came in at two and three, respectively. (1 comment)


With Sixteen19, The Three Stooges Keeps Post-Production Insanity to a Minimum

<i>The Three Stooges</i> editor Sam Seig hard at work on a Sixteen19 mobile Avid editing system<br />

The culmination of a twelve year odyssey, The Three Stooges is a testament to the tenacity of co-directors Bobby and Peter Farrelly. But despite the antic chaos that unfolds on screen, editor Sam Seig reports that the production itself was smooth sailing. “This was a completely buttoned-down shoot. The Farrelly Brothers polished every scene for a tight but realistic three-month shooting schedule... It took years to bring this film to the screen, but it was worth the wait. Bobby and Peter crossed every ‘T’ and poked every ‘eye’ in pre-pro. They were ready for action.” (1 comment)


Yet Again, The Hunger Games Pummels the Competition

Jennifer Lawrence and Josh Hutcherson in <i>The Hunger Games</i> (2012)

The Hunger Games once again showed up-and-comers who's boss, out-earning both new release American Reunion and new(/old) release Titanic 3-D by a substantial margin. Still, those two movies didn't do too shabbily themselves, their $21.4 million and $17.3 million weekend grosses grabbing them spots two and three, respectively. Meanwhile, Wrath of the Titans' $15 million weekend gross was enough to land it in spot number four, while Mirror Mirror squeaked into the top five with a weekend gross of $11 million. (No comments yet)


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